JANET SILK
  • Home
  • About
    • Bio
  • Writing
    • Heresy Becomes Habit (review)
    • Pussy Willow Sighs (essay)
    • Ease on Down the Runway (essay)
    • WA(i)STED (curatorial statement)
    • Brancusi's Wet Dream (Article)
    • Open a Vein: Suicidal Black Metal and Enlightenment (essay)
    • Pedagogy of Failure in the Global Art Market (essay)
    • From Life-Art to Hijab (essay)
    • Self-Appointed Victory: An imaginary conversation with Camille Paglia on February 26, 2009 (creative writing/performance)
  • Projects
    • Si-si Dance & Performance Art Project
    • Munkey in the City (web series)
    • Open a Vein (installation)
    • 2D
  • Home
  • About
    • Bio
  • Writing
    • Heresy Becomes Habit (review)
    • Pussy Willow Sighs (essay)
    • Ease on Down the Runway (essay)
    • WA(i)STED (curatorial statement)
    • Brancusi's Wet Dream (Article)
    • Open a Vein: Suicidal Black Metal and Enlightenment (essay)
    • Pedagogy of Failure in the Global Art Market (essay)
    • From Life-Art to Hijab (essay)
    • Self-Appointed Victory: An imaginary conversation with Camille Paglia on February 26, 2009 (creative writing/performance)
  • Projects
    • Si-si Dance & Performance Art Project
    • Munkey in the City (web series)
    • Open a Vein (installation)
    • 2D
From Life-Art to Hijab
​
 

Essay archived at 
web.archive.org

Artists in the Life-Art performance art movement of the early 1970s influenced me and radically changed my life. My questions about the boundaries between life and art resulted in an association, from 1993-2007, with a traditional Sufi-Islamic community, and during that time I aspired to learn the art of Qur’anic recitation. 

The original pen and ink drawings presented online at Stretcher are a selection from a larger body of work that was created while I was trying to memorize the Qur’an.  The drawings were like prayers or meditations because, in order to memorize it, I would repeatedly recite the Qur’anic verse as I wrote it.

   
Picture
Picture
Picture

© 2011 The Artist, Janet Silk.
There are more images at stretcher.org
Image Credit: Silk, The Arabic text on the drawings is from a variety of sources such as The Qur’an, a prayer book, and from a traditional collection of words, phrases, and adjectives called The 99 Beautiful Names of God. The captions are an English transliteration of the Arabic. 
Each image is 5” x 7” on watercolor paper, pen and ink, metallic markers, glitter; all were created between 2000-2003.

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