Summary
With a love for visual culture, I am an adaptable, creative professional with strong communication, time management, critical thinking, and organizational skills.
Employment History
Lecturer, San José State University, Department of Art and Art History, California, 2006-2013
Taught undergraduate and graduate level writing and seminar courses for fine art majors.
Small Business Partnership, Klirrfaktor, San Francisco, California, 2003-2007
Graphic and website design company.
Assistant Chair, Zayed University, Department of Art and Design, Dubai, United Arab Emirates, 2005-2006
Identified and scheduled courses across two campuses to meet the needs of students and faculty.
Assistant Professor, Zayed University, Department of Art and Design Dubai, United Arab Emirates, 2005-2006
Taught undergraduate level art history and studio courses.
Lecturer, American University in Cairo, Department of Visual and Performing Arts, Egypt, 2003-2004
Taught undergraduate level art history and studio courses; advised students about their educational goals and coursework.
Small Business Partnership, 7thScent, Serramonte Center, Daly City, California, 2002-2003
Perfume and fragrance kiosk-based retail company.
Project Manager, Greene & Greene Virtual Archives, University of Southern California, Los Angeles, 2002-2003 Facilitated the creation of a multi-institutional online archive of artwork and other historical documents by the architects Greene & Greene.
Library Assistant III, Cataloger, Greene & Greene Virtual Archives Project, University of California at Berkeley, College of Environmental Design, 2001-2002
Managed the process of creating digital surrogates for original archival documents.
2000-2002 Teacher and Instructional Guide, South of Market Cultural Center, San Francisco, California
Art educator and docent for Dios de Los Muertos art exhibition.
Administrative Coordinator, California Judicial Center Library, Supreme Court and the Court of Appeal, San Francisco, 2001
Under general supervision of the Director of Library Services, performed a broad range of administrative support duties, following procedural guidelines.
Lecturer, San Francisco State University, Inter-Arts Department, 2000
Team taught graduate level interdisciplinary art course; developed curriculum and class reader; established grading standards.
Researcher, Website Quality Controller, Digital Image Editor, Sayit, Foster City, California, 2000
Evaluated, edited, and catalogued user submitted digital content following company guidelines.
Data Manager, Operations Assistant, Airtreks, San Francisco, 1999-2000
Liaison between management, web design, and computer programmers for this world-class team of international travel experts.
Research Librarian, Lucasfilm, Ltd., Nicasio, California, 1987-1998
Worked with producer, director, art and special effects departments, and research library team on film and television productions.
Education
1998 University of California at Berkeley, MFA Fine Art
1985 California Institute of the Arts, Valencia, BFA Fine Art
Software
2013 "Open a Vein: Suicidal Black Metal and Enlightenment," Art History and Visual Culture Colloquium, San Jose State University
2008 “Notes on Community, Collaboration, Consensus, Communes and Cults,” California College of the Arts, San Francisco, Creativity and the Artist’s Process, Instructor: Christian Janowski
1999 Artwork presentation, Art and Spirit Series, John F Kennedy University, Berkeley
“Frontier Mythology: American Science Fiction Film and American Landscape Painting,” San Francisco State University, Art 426 Art Survey, Instructor: Ian Pollock
1997 Artwork presentation, California College of Arts and Crafts, Oakland, Sound Art, Instructor: Ed Osborn
1996 “Intimacy, Concept, Interaction: Artistic potential of voice mail and the telephone,” Seventh International Symposium on Electronic Art, Rotterdam, Netherlands
1995 Artwork presentation, San Francisco State University, Introduction to Interdisciplinary Art, Instructor: Yolanda Lopez
Associations and Extra-Curricular Activities
2011 Mission Artists United, Member; National Writing Project, Registered User
2006-present California Faculty Association, Member; National Education Association, Member
2003-present University of California at Berkeley, California Alumni Association, Life Member
1996-2008 Secession Gallery, San Francisco, Director, Board of Directors
1998-1999 San Francisco Arts Commission Gallery, Advisory Board Member
Awards and Publishing
Awards
1998 University of California at Berkeley Eisner Prize for Excellence in the Arts
1996 National Endowment for the Arts/Andy Warhol Foundation Regional Initiative Artists
Project Grant
1995 New Langton Bay Area Awards, San Francisco
Publishing
“Ease on Down the Runway,” 2014 Art Academy University Graduation Fashion Show, in production, 2014.
“Pussy Willow Sighs,” Flares, Conflagrations, Refulgence, Coruscation: Victor Bruxi, trans. Hela Fchunce, Lamar Annex, in production, 2014.
“Is there Love in the Telematic Embrace?” image/drawing selected for essay, “Melt With Us,” duskin drum and Sarah Lewison, Journal of Aesthetics and Protest, Issue 9, Summer 2014, www.joaap.org/issue9/drumlewison.htm.
“Open a Vein: Suicidal Black Metal and Enlightenment.” Helvete: A Journal of Black Metal Theory Issue 1: Incipit, Punctum Books, Winter 2013
"Pedagogy of Failure in the Global Art Market." The International Journal of Art and Design Education 30.1, Blackwell Publishing, Ltd. 115 February 2011
“Educating the Third Mind,” afterimage 27: 3 November-December 1999
“Local 411: Private Conversations in Public Space.” Leonardo: Journal of the International Society for the Arts, Sciences and Technology 31:4, MIT Press 1998
“Intimacy, Concept, Interaction: Artistic Potential of Voice Mail and the Telephone.” Public Culture, Duke University Press 26/1998
Publishing online
"From Life-Art to Hijab," Stretcher: visual culture in the San Francisco Bay Area and beyond. October 2011. San Francisco. 1 November 2013 <http://www.stretcher.org/features/from_life_art_to_hijab/>
"Public Space and Intimacy: Investing the landscape with history through the use of the telephone," UCLA History of Art and Computing Graduate Seminar, Victoria Vesna 1999. University of California, Los Angeles. 1 November 2013 <http://vv.arts.ucla.edu/projects/98-99/HAC/HACgrad_web/pollock/pollock_silk.html>
"Local 411: Private Conversations in Public Space," Words on Works, ed.: Judy Malloy, Leonardo On-line 1998. MIT Press. 1 November 2013 <http://mitpress2.mit.edu/e-journals/Leonardo/isast/wow274.html>
"A Conversation with Ian Pollock and Janet Silk," Arts Wire Interactive Art Conference, ed.: Anna Couey, May-November 1997, 1 November 2013 <http://www.well.com/~couey/interactive/pollocksilk.html>
Selected Reviews
Cohn, Terri. “Public Art in Cyberspace,” Artweek. April 2001
Cohn, Terri. “The Elements: Earth,” Artweek. February 1999
Cohn, Terri. "The Precise Location of a Moment: Artists and Time in Public Space," Artweek. December 1997
DeMocker, Judy. "Day of the Dead, TechnoStyle," Wired News. 1998 14 October 2004 <http://wired.com/ news/news/culture/story/14853.html>
Lunenfeld, Peter. “What is Internet Art?” Artmagazin. 10 November 2002 <http://www.artmagazin.co.yu> Lunenfeld, Peter. "In Search of the Telephone Opera," Snap To Grid; A User’s Guide to Digital Arts, Media, and Cultures. MIT Press 2000: 75
Lunenfeld, Peter. "In Search of the Telephone Opera," afterimage. July-August, 1997
Malloy, Judy. Women, Art and Technology. MIT Press, 2003: 57, 68
Wilson, Steve. “Telephone, Radio and Net.Radio,” Information Arts: Intersections of Art, Science and Technology. MIT Press, 2002: 493-495.
Projects
Munkey in the City, Costume Designer, web series in production, www.munkeyinthecity.com.
“You Make Me Dance,” Costume and Prop Designer, Laura LaRue music video, lauralarue.com.
Exhibition Record
2014 “Sculpture in the Expanded Field,” sculpture installation, Baker’s Beach, San Francisco, California, July 2014.
“Shaved Bald: Hair Memorial II,” paper, pleather, straight pins, brass tacks, glass, Developing Environments Studio #313, March 2014.
“Minimalist Evil Eye,” sculpture installation, Baker’s Beach, San Francisco, California, July 2014.
“Pinky,” performance, Los Angeles, California, August 2014.
2012 “Open a Vein: Suicidal Black Metal and Enlightenment,” installation, collages, hair, wall text based on essay of the same name, Open Studios, Developing Environments, San Francisco
2011 “Creatures,” drawings, Open Studios, Developing Environments
2010 “Nikki’s World,” collaborative installation with Gabrielle Thormann, Open Studios,Developing Environments,
2009 “The Art Flea Market,” installation, performance, Open Studios, Developing Environments
“Self-Appointed Victory,” performance at Pulgas Water Temple, Woodside, California
2008 “We Love California,” We Are California History, Oakland Art Gallery, in collaboration with Gabrielle Thormann
2007 “Monkey Skulls,” I Love Independent: A Designer Shopping Event, Jillian’s at the Metreon, San Francisco
“Vacuum,” Collaborative installation with J.P. Morgan and Gabrielle Thormann, Developing Environments “Mashi,” CCA MFA Video Screening with Adrian Paci, performance video with Dina Danish, New Langton, San Francisco
2006 “Stars, Gold, Glitter,” Post-Post Card 10, The Lab, San Francisco
Collaborative work with Ian Pollock
2002-03 “URValue.com,” Faculty: 2003, University of California, Santa Cruz, Sesnon Gallery
“Detroit, I Feel Good,” SomArts, Entre La Luz y La Muerte se encuentra la vida Day of the Dead Exhibition, San Francisco
2001 “Roll Call,” SomArts, City of Miracles/Ciudad de Los Milagros, San Francisco
2000 “The Shock” Seismic Girl Re-Mix CD, Christchurch, New Zealand
1999 “Departure Lounge” Nightfall, San Francisco Art Commission Gallery
“Dead Air,” Corporeal Sky, The Physics Room, Christchurch, New Zealand
“Phantom Line,” Sinusoidal...a sound art show, Art Gallery, San Francisco State University
“www.gardenofeternaltime.com,” The Hybrid Festival, John F. Kennedy University, Berkeley
1998 “Among the Missing,” Offering Light to the Shadow, New College, San Francisco
“Phantom Line,” Labyrinths for the Dead, Yerba Buena Center for the Arts, San Francisco
“Phantom Line and www.gardenofeternaltime.com,” MFA UCB Exhibition 1998, Berkeley Art Museum
“Phreak Boxez,” The Box Show, Works/San José
“www.gardenofeternaltime.com,” Work in Progress, 2nd Space Gallery, San Francisco
1997 “Among the Missing,” Labyrinth of the Dead, Mission Cultural Center, San Francisco
“Ballad of Expansion,” Operation Calm, Venue 9, San Francisco
“Transcendental Yellow Rose,” Soft, Worth Ryder Gallery, Berkeley
“Bouquet -online,” fahrenheit 451, San Francisco Art Commission Gallery
“Museum of the Future,” Earart, 1078 Gallery, Chico, California
“Bouquet,”& “ Zip Gun,” Gun as Image, Museum of Fine Art, Tallahassee, Florida
“Local 411,” Yerba Buena Redevelopment Zone, San Francisco
1996 “50 Stars,” Bridges, Annual Artists Committee Exhibition, Walter McBean Gallery, San Francisco
“Ballad of Expansion,” Inter-Galactic... 4 Walls Gallery, San Francisco
“Discards,” Secession Gallery, San Francisco
“Museum of the Future,” SoundCulture '96, International Sound Festival, San Francisco
1995 “The Morgue, “ Offerings To Remember/Offrendas Del Recuerdo, New College, San Francisco
“At the Gate,” Exploration City Site, San Francisco Art Commission Gallery
“Two Stories,” Bay Area Awards, New Langton Arts, San Francisco
“Variety is the Spice of Life,” Artists Respond to Prop 187, New College, San Francisco
“Bouquet,” & “ Zip Gun,” Arrested Images, Gallery 400, Chicago, Illinois
“0 seconds, 12 minutes, 2 hours, 20 days,” Latent August, Fort Mason Center, San Francisco
“Variety is the Spice of Life,” Artists Respond to Prop 187, MACLA, San José
“RAW,” Rice, Works/San José
1994 “Dead Air,” Rooms for the Dead V, Yerba Buena Center for the Arts, San Francisco
“Area Code,” Summer Sound Lab, The Lab, San Francisco
“Commodities,” Commodities, Secession, Haynes Gallery, San Francisco
1993 “Cartesian Luminaire,” ATA Gallery, San Francisco
“Throne,” Corazon del Barrio, Mission Cultural Center, San Francisco
“Sail Cats,” 1807 Divisadero Street, San Francisco
“Zip Gun,” Object Show, Intersection for the Arts, San Francisco
“The Song of the Shirt,” One of A Kind, Intersection for the Arts, San Francisco
1992 “Bouquet,” Rooms for the Dead III, Mission Cultural Center, San Francisco
“365°,” The Lab, San Francisco, collaboration also with Charles Kremenak
“Eat the Louvre,” Anti-Matter Gallery, San Francisco, also with C. Kremenak
With a love for visual culture, I am an adaptable, creative professional with strong communication, time management, critical thinking, and organizational skills.
- Practicing artist with an exhibition and publishing record
- Art educator and curatorial experience both locally and internationally
- Writing, editing, proofreading, concept development, and creative research
Employment History
Lecturer, San José State University, Department of Art and Art History, California, 2006-2013
Taught undergraduate and graduate level writing and seminar courses for fine art majors.
- Communicated expectations to meet university and classroom learning objectives to a diverse student body with a broad range of language skill levels, college-preparedness, and maturity.
- Provided constructive criticism for and evaluation of student artwork and writing.
- Proofread and edited student work.
- Curriculum development: researched and created course content, established grading metrics.
- Prepared lectures that included examples, explanations, and visual presentations.
- Responded spontaneously with thoughtful answers to students’ questions.
- Led and mediated group discussions, assigned writing exercises, and coordinated in-class projects.
- Participated and attended department and university meetings.
- Challenged to learn, apply, and improve teaching methods through independent research, specialized seminars, peer and student evaluations, and consultation with supervisors and colleagues.
- Shared enthusiasm for relevant topics, motivated students, managed classroom behavior, and built trust to facilitate an atmosphere of learning.
Small Business Partnership, Klirrfaktor, San Francisco, California, 2003-2007
Graphic and website design company.
- Collaborated with business partner on the look, feel, and functionality of websites.
- Wrote informational content and performed website quality control.
- Project management: kept projects on track to meet deadlines and contract agreements.
- Responsible for account billing and payment collection.
- Interpreted client needs and maintained positive relations.
Assistant Chair, Zayed University, Department of Art and Design, Dubai, United Arab Emirates, 2005-2006
Identified and scheduled courses across two campuses to meet the needs of students and faculty.
- Served as a representative for the Chair and Dean of the Art and Design Department for on-campus and public events, and department meetings.
- Advised students about their eight-semester course plan and career goals.
- Trained Faculty Advisors about university curriculum and degree requirements.
- Assessed, inventoried, and coordinated purchase of supplies and texts for faculty and students.
Assistant Professor, Zayed University, Department of Art and Design Dubai, United Arab Emirates, 2005-2006
Taught undergraduate level art history and studio courses.
- Curriculum development: researched and developed course content and grading standards.
- Delivered course content through lectures, discussions, projects, and assignments.
- As Faculty Advisor, guided assigned students towards earning their degree.
- Appointed unique teaching position at satellite campus for family and friends of Al Maktoum Royal Family.
- Navigated the cultural issues of teaching Western art history, theory, and practice at a U.A.E. National women’s campus.
Lecturer, American University in Cairo, Department of Visual and Performing Arts, Egypt, 2003-2004
Taught undergraduate level art history and studio courses; advised students about their educational goals and coursework.
- Introduced students to modern and contemporary art history, and installation art studio practices.
- Developed and wrote course content, formalized grading standards.
- Evaluated student writing and artwork.
- Adapted teaching style and methodology to accommodate unfamiliar, complex culture and political climate.
- Inspired students to be collaborative, resourceful, and to find their own voice.
Small Business Partnership, 7thScent, Serramonte Center, Daly City, California, 2002-2003
Perfume and fragrance kiosk-based retail company.
- Implemented business plan, pricing strategies, and marketing campaigns.
- Sold products and gained in-depth knowledge about all aspects of the fragrance industry.
- Purchased and organized wholesale inventory.
- Merchandizing and general operations.
- Hired employees and managed bank account.
Project Manager, Greene & Greene Virtual Archives, University of Southern California, Los Angeles, 2002-2003 Facilitated the creation of a multi-institutional online archive of artwork and other historical documents by the architects Greene & Greene.
- Communicated between project representatives at each institution to insure adherence to the standards of the project.
- Reviewed finding aids, catalog records, and metadata for consistency.
- Coordinated workflow with web design team and oversaw the design of information architecture and navigation systems based on knowledge of user groups.
- Collaborated with programmer to finalize the interface design of a searchable image database.
Library Assistant III, Cataloger, Greene & Greene Virtual Archives Project, University of California at Berkeley, College of Environmental Design, 2001-2002
Managed the process of creating digital surrogates for original archival documents.
- Wrote and entered descriptive metadata for Greene & Greene artwork and other historical documents into a relational database.
- Conducted quality control of digital images.
- Coordinated archival document delivery with Library Technical Services and preservation photography units.
2000-2002 Teacher and Instructional Guide, South of Market Cultural Center, San Francisco, California
Art educator and docent for Dios de Los Muertos art exhibition.
- Lead kindergarten through high school age students through exhibition.
- Taught art projects following State of California educational objectives.
Administrative Coordinator, California Judicial Center Library, Supreme Court and the Court of Appeal, San Francisco, 2001
Under general supervision of the Director of Library Services, performed a broad range of administrative support duties, following procedural guidelines.
- Communicated on behalf of the Director with in-house staff, external departments, and outside vendors regarding facilities, equipment, and supplies.
- Identified operational problems, considered alternatives, and proposed solutions.
- Designed displays, signage, brochures, and manuals for library operations and library-related projects.
- Arranged for library meetings, conferences, and programs on- and off-site.
- Researched, recommended, negotiated, and prepared contracts for various services.
- Learned Supreme Court protocols in order to interact appropriately with Judges and other Court officials.
Lecturer, San Francisco State University, Inter-Arts Department, 2000
Team taught graduate level interdisciplinary art course; developed curriculum and class reader; established grading standards.
- Led and moderated discussions and presentations, encouraging students to break traditional boundaries in their art practice and philosophy.
Researcher, Website Quality Controller, Digital Image Editor, Sayit, Foster City, California, 2000
Evaluated, edited, and catalogued user submitted digital content following company guidelines.
- Investigated issues of competitive, technological, editorial, content development, or strategic interest to the company.
- Analyzed the results of such investigation and developed preliminary recommendations.
- Improved consistency and organization of user-submitted content to the SayIt site.
- Collaborated with team how to advance overall quality of user experience.
Data Manager, Operations Assistant, Airtreks, San Francisco, 1999-2000
Liaison between management, web design, and computer programmers for this world-class team of international travel experts.
- Compiled travel-related materials and client account information for internal business use.
- Developed a database of business contracts and updated staff about information changes.
- Responded to sales agents’ requests, expedited ticket orders, and refined clients’ itineraries.
- Wrote operations manuals.
Research Librarian, Lucasfilm, Ltd., Nicasio, California, 1987-1998
Worked with producer, director, art and special effects departments, and research library team on film and television productions.
- Strived for excellence in a deadline-driven, demanding, creative environment.
- Compiled visual, audio, and published materials such as videos, music, books, photographs, and magazine articles for all aspects of pre-production.
- Wrote research reports.
- Casting, costume, set location, and production design research.
- Managed and developed film and video collection.
- Archived production art and edited production photography.
- Gained broad knowledge of film history and stayed up-to-date with industry news and trends.
Education
1998 University of California at Berkeley, MFA Fine Art
1985 California Institute of the Arts, Valencia, BFA Fine Art
Software
- Mac and PC platforms
- Microsoft Office
- FileMaker Pro
2013 "Open a Vein: Suicidal Black Metal and Enlightenment," Art History and Visual Culture Colloquium, San Jose State University
2008 “Notes on Community, Collaboration, Consensus, Communes and Cults,” California College of the Arts, San Francisco, Creativity and the Artist’s Process, Instructor: Christian Janowski
1999 Artwork presentation, Art and Spirit Series, John F Kennedy University, Berkeley
“Frontier Mythology: American Science Fiction Film and American Landscape Painting,” San Francisco State University, Art 426 Art Survey, Instructor: Ian Pollock
1997 Artwork presentation, California College of Arts and Crafts, Oakland, Sound Art, Instructor: Ed Osborn
1996 “Intimacy, Concept, Interaction: Artistic potential of voice mail and the telephone,” Seventh International Symposium on Electronic Art, Rotterdam, Netherlands
1995 Artwork presentation, San Francisco State University, Introduction to Interdisciplinary Art, Instructor: Yolanda Lopez
Associations and Extra-Curricular Activities
2011 Mission Artists United, Member; National Writing Project, Registered User
2006-present California Faculty Association, Member; National Education Association, Member
2003-present University of California at Berkeley, California Alumni Association, Life Member
1996-2008 Secession Gallery, San Francisco, Director, Board of Directors
1998-1999 San Francisco Arts Commission Gallery, Advisory Board Member
Awards and Publishing
Awards
1998 University of California at Berkeley Eisner Prize for Excellence in the Arts
1996 National Endowment for the Arts/Andy Warhol Foundation Regional Initiative Artists
Project Grant
1995 New Langton Bay Area Awards, San Francisco
Publishing
“Ease on Down the Runway,” 2014 Art Academy University Graduation Fashion Show, in production, 2014.
“Pussy Willow Sighs,” Flares, Conflagrations, Refulgence, Coruscation: Victor Bruxi, trans. Hela Fchunce, Lamar Annex, in production, 2014.
“Is there Love in the Telematic Embrace?” image/drawing selected for essay, “Melt With Us,” duskin drum and Sarah Lewison, Journal of Aesthetics and Protest, Issue 9, Summer 2014, www.joaap.org/issue9/drumlewison.htm.
“Open a Vein: Suicidal Black Metal and Enlightenment.” Helvete: A Journal of Black Metal Theory Issue 1: Incipit, Punctum Books, Winter 2013
"Pedagogy of Failure in the Global Art Market." The International Journal of Art and Design Education 30.1, Blackwell Publishing, Ltd. 115 February 2011
“Educating the Third Mind,” afterimage 27: 3 November-December 1999
“Local 411: Private Conversations in Public Space.” Leonardo: Journal of the International Society for the Arts, Sciences and Technology 31:4, MIT Press 1998
“Intimacy, Concept, Interaction: Artistic Potential of Voice Mail and the Telephone.” Public Culture, Duke University Press 26/1998
Publishing online
"From Life-Art to Hijab," Stretcher: visual culture in the San Francisco Bay Area and beyond. October 2011. San Francisco. 1 November 2013 <http://www.stretcher.org/features/from_life_art_to_hijab/>
"Public Space and Intimacy: Investing the landscape with history through the use of the telephone," UCLA History of Art and Computing Graduate Seminar, Victoria Vesna 1999. University of California, Los Angeles. 1 November 2013 <http://vv.arts.ucla.edu/projects/98-99/HAC/HACgrad_web/pollock/pollock_silk.html>
"Local 411: Private Conversations in Public Space," Words on Works, ed.: Judy Malloy, Leonardo On-line 1998. MIT Press. 1 November 2013 <http://mitpress2.mit.edu/e-journals/Leonardo/isast/wow274.html>
"A Conversation with Ian Pollock and Janet Silk," Arts Wire Interactive Art Conference, ed.: Anna Couey, May-November 1997, 1 November 2013 <http://www.well.com/~couey/interactive/pollocksilk.html>
Selected Reviews
Cohn, Terri. “Public Art in Cyberspace,” Artweek. April 2001
Cohn, Terri. “The Elements: Earth,” Artweek. February 1999
Cohn, Terri. "The Precise Location of a Moment: Artists and Time in Public Space," Artweek. December 1997
DeMocker, Judy. "Day of the Dead, TechnoStyle," Wired News. 1998 14 October 2004 <http://wired.com/ news/news/culture/story/14853.html>
Lunenfeld, Peter. “What is Internet Art?” Artmagazin. 10 November 2002 <http://www.artmagazin.co.yu> Lunenfeld, Peter. "In Search of the Telephone Opera," Snap To Grid; A User’s Guide to Digital Arts, Media, and Cultures. MIT Press 2000: 75
Lunenfeld, Peter. "In Search of the Telephone Opera," afterimage. July-August, 1997
Malloy, Judy. Women, Art and Technology. MIT Press, 2003: 57, 68
Wilson, Steve. “Telephone, Radio and Net.Radio,” Information Arts: Intersections of Art, Science and Technology. MIT Press, 2002: 493-495.
Projects
Munkey in the City, Costume Designer, web series in production, www.munkeyinthecity.com.
“You Make Me Dance,” Costume and Prop Designer, Laura LaRue music video, lauralarue.com.
Exhibition Record
2014 “Sculpture in the Expanded Field,” sculpture installation, Baker’s Beach, San Francisco, California, July 2014.
“Shaved Bald: Hair Memorial II,” paper, pleather, straight pins, brass tacks, glass, Developing Environments Studio #313, March 2014.
“Minimalist Evil Eye,” sculpture installation, Baker’s Beach, San Francisco, California, July 2014.
“Pinky,” performance, Los Angeles, California, August 2014.
2012 “Open a Vein: Suicidal Black Metal and Enlightenment,” installation, collages, hair, wall text based on essay of the same name, Open Studios, Developing Environments, San Francisco
2011 “Creatures,” drawings, Open Studios, Developing Environments
2010 “Nikki’s World,” collaborative installation with Gabrielle Thormann, Open Studios,Developing Environments,
2009 “The Art Flea Market,” installation, performance, Open Studios, Developing Environments
“Self-Appointed Victory,” performance at Pulgas Water Temple, Woodside, California
2008 “We Love California,” We Are California History, Oakland Art Gallery, in collaboration with Gabrielle Thormann
2007 “Monkey Skulls,” I Love Independent: A Designer Shopping Event, Jillian’s at the Metreon, San Francisco
“Vacuum,” Collaborative installation with J.P. Morgan and Gabrielle Thormann, Developing Environments “Mashi,” CCA MFA Video Screening with Adrian Paci, performance video with Dina Danish, New Langton, San Francisco
2006 “Stars, Gold, Glitter,” Post-Post Card 10, The Lab, San Francisco
Collaborative work with Ian Pollock
2002-03 “URValue.com,” Faculty: 2003, University of California, Santa Cruz, Sesnon Gallery
“Detroit, I Feel Good,” SomArts, Entre La Luz y La Muerte se encuentra la vida Day of the Dead Exhibition, San Francisco
2001 “Roll Call,” SomArts, City of Miracles/Ciudad de Los Milagros, San Francisco
2000 “The Shock” Seismic Girl Re-Mix CD, Christchurch, New Zealand
1999 “Departure Lounge” Nightfall, San Francisco Art Commission Gallery
“Dead Air,” Corporeal Sky, The Physics Room, Christchurch, New Zealand
“Phantom Line,” Sinusoidal...a sound art show, Art Gallery, San Francisco State University
“www.gardenofeternaltime.com,” The Hybrid Festival, John F. Kennedy University, Berkeley
1998 “Among the Missing,” Offering Light to the Shadow, New College, San Francisco
“Phantom Line,” Labyrinths for the Dead, Yerba Buena Center for the Arts, San Francisco
“Phantom Line and www.gardenofeternaltime.com,” MFA UCB Exhibition 1998, Berkeley Art Museum
“Phreak Boxez,” The Box Show, Works/San José
“www.gardenofeternaltime.com,” Work in Progress, 2nd Space Gallery, San Francisco
1997 “Among the Missing,” Labyrinth of the Dead, Mission Cultural Center, San Francisco
“Ballad of Expansion,” Operation Calm, Venue 9, San Francisco
“Transcendental Yellow Rose,” Soft, Worth Ryder Gallery, Berkeley
“Bouquet -online,” fahrenheit 451, San Francisco Art Commission Gallery
“Museum of the Future,” Earart, 1078 Gallery, Chico, California
“Bouquet,”& “ Zip Gun,” Gun as Image, Museum of Fine Art, Tallahassee, Florida
“Local 411,” Yerba Buena Redevelopment Zone, San Francisco
1996 “50 Stars,” Bridges, Annual Artists Committee Exhibition, Walter McBean Gallery, San Francisco
“Ballad of Expansion,” Inter-Galactic... 4 Walls Gallery, San Francisco
“Discards,” Secession Gallery, San Francisco
“Museum of the Future,” SoundCulture '96, International Sound Festival, San Francisco
1995 “The Morgue, “ Offerings To Remember/Offrendas Del Recuerdo, New College, San Francisco
“At the Gate,” Exploration City Site, San Francisco Art Commission Gallery
“Two Stories,” Bay Area Awards, New Langton Arts, San Francisco
“Variety is the Spice of Life,” Artists Respond to Prop 187, New College, San Francisco
“Bouquet,” & “ Zip Gun,” Arrested Images, Gallery 400, Chicago, Illinois
“0 seconds, 12 minutes, 2 hours, 20 days,” Latent August, Fort Mason Center, San Francisco
“Variety is the Spice of Life,” Artists Respond to Prop 187, MACLA, San José
“RAW,” Rice, Works/San José
1994 “Dead Air,” Rooms for the Dead V, Yerba Buena Center for the Arts, San Francisco
“Area Code,” Summer Sound Lab, The Lab, San Francisco
“Commodities,” Commodities, Secession, Haynes Gallery, San Francisco
1993 “Cartesian Luminaire,” ATA Gallery, San Francisco
“Throne,” Corazon del Barrio, Mission Cultural Center, San Francisco
“Sail Cats,” 1807 Divisadero Street, San Francisco
“Zip Gun,” Object Show, Intersection for the Arts, San Francisco
“The Song of the Shirt,” One of A Kind, Intersection for the Arts, San Francisco
1992 “Bouquet,” Rooms for the Dead III, Mission Cultural Center, San Francisco
“365°,” The Lab, San Francisco, collaboration also with Charles Kremenak
“Eat the Louvre,” Anti-Matter Gallery, San Francisco, also with C. Kremenak
